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#mainstage (59)

  • July 14, 2020 How to Run Apple MainStage on a PC
  • July 12, 2020 The Difference Between Logic Pro and MainStage
  • June 24, 2020 How to Layer Instruments in MainStage
  • June 15, 2020 6 Ways to Reduce CPU Usage in MainStage
  • June 10, 2020 The Best Sample Rate for MainStage
  • May 16, 2020 Live Webinar – Host a Zoom Concert with MainStage
  • May 4, 2020 How to Host an Online Zoom Concert with MainStage
  • April 24, 2020 How to Record Multitrack Audio from MainStage to Logic Pro X
  • December 27, 2019 How to Sample Virtual Instruments in MainStage with Auto Sampler
  • December 26, 2017 Introduction to MainStage Keyboard Programming
  • November 16, 2017 How to Use Reverb in MainStage
  • November 3, 2017 How to Delete Unused Audio Files in Logic Pro X
  • October 23, 2017 How to Filter Volume Control in MainStage
  • August 31, 2017 What’s New in MainStage 3.3.2?
  • August 30, 2017 How to Use a Mono Output in MainStage
  • August 25, 2017 How to Use MainStage to Make MIDI Mappings in Ableton Live
  • April 14, 2017 How to Bounce a Multi-Output Kontakt Drum Kit in Logic Pro X
  • March 27, 2017 What’s New in MainStage 3.3?
  • March 21, 2017 5 Tips to Improve Your EQ Skills
  • March 21, 2017 How to Extend Pitch Bend Range in EXS24
  • March 10, 2017 The Best Keyboards for MainStage
  • March 6, 2017 How to Invert Sustain Pedal Polarity in MainStage
  • February 20, 2017 Which Mac Should I Get for MainStage?
  • February 11, 2017 The Definitive Guide to Using Kontakt with MainStage
  • December 29, 2016 How to Rebuild a Corrupt MainStage Concert
  • December 28, 2016 How to Enable the Sustain Pedal in Vintage B3 Organ
  • December 28, 2016 How to Gain Stage Properly in Apple MainStage
  • December 28, 2016 How to Map Controllers to Effects in MainStage
  • December 28, 2016 How to Record a MainStage Concert’s Outputs
  • December 28, 2016 How to Sustain Sound Over Patch Changes in MainStage
  • December 26, 2016 Apple MainStage Keyboard Programming
  • December 26, 2016 Assigning Controllers to Functions in Apple MainStage
  • December 26, 2016 Choosing Hardware for Apple MainStage
  • December 26, 2016 Connecting Hardware with Software in Apple MainStage
  • December 26, 2016 Keyboard Programming in Apple MainStage
  • December 26, 2016 Saving & Transferring MainStage Concerts
  • December 26, 2016 The Hierarchy of a MainStage Concert
  • December 26, 2016 Using Third Party Plugins & Sample Libraries in MainStage
  • December 26, 2016 Virtual Instruments & Plugins in Apple MainStage
  • October 26, 2016 Apple MainStage Tutorials
  • April 14, 2016 How to Bounce Mono Audio Files in Logic Pro X
  • December 4, 2015 Submixing With Aux & Patch Buses in MainStage
  • April 9, 2015 Clinton The Musical — Keyboard Programming
  • January 24, 2015 Using Aliases to Reduce RAM and CPU Usage in MainStage
  • January 22, 2015 Sampling Synths with Auto Sampler in MainStage 3
  • January 20, 2015 How to Fix MainStage Patch Changes on Roland Keyboards
  • December 15, 2013 MainStage for Musical Theatre — Sequencing Harp Glissandi
  • December 1, 2013 MainStage for Musical Theatre — Mapping Sound Effects & Harp Glissandi
  • December 1, 2013 MainStage for Musical Theatre — Using High Pass EQ
  • March 12, 2013 MainStage for Musical Theatre — Using Aliases
  • March 6, 2013 MainStage for Musical Theatre — Filtering Controllers
  • February 26, 2013 MainStage for Musical Theatre — The Importance of Panning
  • February 21, 2013 MainStage for Musical Theatre — Pitch Bends in EXS24
  • February 20, 2013 MainStage for Musical Theatre — Customizing Velocity Curves
  • February 19, 2013 MainStage for Musical Theatre — Creating Sound Patches
  • February 18, 2013 MainStage for Musical Theatre — Using a Global Reverb
  • February 17, 2013 MainStage for Musical Theatre — Getting Started
  • February 17, 2013 MainStage for Musical Theatre — Submixing Sound Patches
  • February 16, 2013 MainStage for Musical Theatre — Introduction

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