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#mainstage (59)

  • 2020-07-14: How to Run Apple MainStage on a PC
  • 2020-07-12: The Difference Between Logic Pro and MainStage
  • 2020-06-24: How to Layer Instruments in MainStage
  • 2020-06-15: 6 Ways to Reduce CPU Usage in MainStage
  • 2020-06-10: The Best Sample Rate for MainStage
  • 2020-05-16: Live Webinar – Host a Zoom Concert with MainStage
  • 2020-05-04: How to Host an Online Zoom Concert with MainStage
  • 2020-04-24: How to Record Multitrack Audio from MainStage to Logic Pro X
  • 2019-12-27: How to Sample Virtual Instruments in MainStage with Auto Sampler
  • 2017-12-26: Introduction to MainStage Keyboard Programming
  • 2017-11-16: How to Use Reverb in MainStage
  • 2017-11-03: How to Delete Unused Audio Files in Logic Pro X
  • 2017-10-23: How to Filter Volume Control in MainStage
  • 2017-08-31: What’s New in MainStage 3.3.2?
  • 2017-08-30: How to Use a Mono Output in MainStage
  • 2017-08-25: How to Use MainStage to Make MIDI Mappings in Ableton Live
  • 2017-04-14: How to Bounce a Multi-Output Kontakt Drum Kit in Logic Pro X
  • 2017-03-27: What’s New in MainStage 3.3?
  • 2017-03-21: 5 Tips to Improve Your EQ Skills
  • 2017-03-21: How to Extend Pitch Bend Range in EXS24
  • 2017-03-10: The Best Keyboards for MainStage
  • 2017-03-06: How to Invert Sustain Pedal Polarity in MainStage
  • 2017-02-20: Which Mac Should I Get for MainStage?
  • 2017-02-11: The Definitive Guide to Using Kontakt with MainStage
  • 2016-12-29: How to Rebuild a Corrupt MainStage Concert
  • 2016-12-28: How to Enable the Sustain Pedal in Vintage B3 Organ
  • 2016-12-28: How to Gain Stage Properly in Apple MainStage
  • 2016-12-28: How to Map Controllers to Effects in MainStage
  • 2016-12-28: How to Record a MainStage Concert’s Outputs
  • 2016-12-28: How to Sustain Sound Over Patch Changes in MainStage
  • 2016-12-26: Apple MainStage Keyboard Programming
  • 2016-12-26: Assigning Controllers to Functions in Apple MainStage
  • 2016-12-26: Choosing Hardware for Apple MainStage
  • 2016-12-26: Connecting Hardware with Software in Apple MainStage
  • 2016-12-26: Keyboard Programming in Apple MainStage
  • 2016-12-26: Saving & Transferring MainStage Concerts
  • 2016-12-26: The Hierarchy of a MainStage Concert
  • 2016-12-26: Using Third Party Plugins & Sample Libraries in MainStage
  • 2016-12-26: Virtual Instruments & Plugins in Apple MainStage
  • 2016-10-26: Apple MainStage Tutorials
  • 2016-04-14: How to Bounce Mono Audio Files in Logic Pro X
  • 2015-12-04: Submixing With Aux & Patch Buses in MainStage
  • 2015-04-09: Clinton The Musical — Keyboard Programming
  • 2015-01-24: Using Aliases to Reduce RAM and CPU Usage in MainStage
  • 2015-01-22: Sampling Synths with Auto Sampler in MainStage 3
  • 2015-01-20: How to Fix MainStage Patch Changes on Roland Keyboards
  • 2013-12-15: MainStage for Musical Theatre — Sequencing Harp Glissandi
  • 2013-12-01: MainStage for Musical Theatre — Mapping Sound Effects & Harp Glissandi
  • 2013-12-01: MainStage for Musical Theatre — Using High Pass EQ
  • 2013-03-12: MainStage for Musical Theatre — Using Aliases
  • 2013-03-06: MainStage for Musical Theatre — Filtering Controllers
  • 2013-02-26: MainStage for Musical Theatre — The Importance of Panning
  • 2013-02-21: MainStage for Musical Theatre — Pitch Bends in EXS24
  • 2013-02-20: MainStage for Musical Theatre — Customizing Velocity Curves
  • 2013-02-19: MainStage for Musical Theatre — Creating Sound Patches
  • 2013-02-18: MainStage for Musical Theatre — Using a Global Reverb
  • 2013-02-17: MainStage for Musical Theatre — Getting Started
  • 2013-02-17: MainStage for Musical Theatre — Submixing Sound Patches
  • 2013-02-16: MainStage for Musical Theatre — Introduction

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